80,000 years ago, when that scenario played out, the people who could imagine what would come next, whose brains and bodies responded to the rustling grasses the right way did not get eaten, and survived to reproduce. In today’s world, we have learned not just to detect the lion, but to artificially recreate the experience, for fun. Whether it’s a roller-coaster, a movie, or a symphony, we are pretty good at pushing our own buttons in a safe place where the risk of getting killed is practically zero.
Our ancestors had a cognitive bias with a great evolutionary advantage. Those who heard a rustle in the grass and thought, “that’s just the grass rustling. No big deal” were more likely to get eaten. But those who heard a rustle and thought, “OMG! A lion! — Run for your life!” …
Consider this: The truths science has revealed about the universe are simply astounding. We now know that there is an unimaginably gigantic and unimaginably tiny universe in which we live, and in which our experience has no relevance.
And as for time, there is only our being alive in this moment right now. The billions who have gone before us had their moment, their “right now.” And the billions to come after us will have theirs.
So what does music have to do with that? It is perhaps the most direct way to actually experience the truth that our experience of reality is not the only one—to experience that truth, not just to know it’s true in some factual sense. …
Studying with one of the greatest musicians in the world can be intimidating—but maybe not in the way you might think.
Sergiu Celibidache generously invited anyone who wanted to learn to come to his rehearsals and attend his informal classes. Anyone. If you showed up, you were in. It was that simple. He was generous and asked for no payment. After I attended his daily classes at Curtis Institute of Music, Celibidache invited me to go to Munich to continue studying with him, which I did in 1986.
In 2013 I started a small company called Sonation to empower people to create meaningful, personal, rewarding musical experiences. They play their instruments in real-time, with “in-the-moment” musical expression, surrounded by a rich sound-world created by some of the greatest composers who have ever lived. I founded Sonation so people could experience the rewarding satisfaction of making music. True “augmented reality” in the world of sound and imagination.
Cadenza was the app we created that accompanied a musician with a real orchestra. …